For this week's episode, we trace The Light in the Piazza's fifty-year journey from its first incarnation as a novella by Elizabeth Spencer to a musical idea handed down through one of musical theater's most prominent families.
We follow the musical, written by Adam Guettel and Craig Lucas, as it takes shape at the Sundance Theatre Lab, has its first production at the Intiman Theatre in Seattle, is restructured for the Goodman Theatre in Chicago, before making its way to Broaday at Lincoln Center. The show would be nominated for 13 Tony Awards and win 8 of them. It would make stars of its two leading ladies and go down as one of the most important new works of our time.
This episode features brand new interviews with composer Adam Guettel, book writer Craig Lucas, actors Victoria Clark, Kelli O'Hara, and Celia Keenan-Bolger, director Bartlett Sher, and Lincoln Center Artistic Director Andre Bishop
FINALLY! With no further ado, we bring you the backstory of THE MOST requested show for us to cover: 2011's Bonnie & Clyde.
In this episode, we'll find out how the show developed from an ambitious recording project at Atlantic Records to a Broadway musical adored by audiences, but not by critics.
Interviewees include Jeremy Jordan, Laura Osnes, director Jeff Calhoun, composer Frank Wildhorn, lyricist Don Black, book writer Ivan Menchell, producer Van Dean, and La Jolla Playhouse artistic director Christoper Ashley.
"Helene is a slut, Anatole is hot, Marya is old-school, Sonya is good, Natasha is young, and Andre isn't here..."
We're OBSESSED with Natasha, Pierre, & The Great Comet of 1812! Through conversations with the show's writer & composer, Dave Malloy, director Rachel Chavkin, producers, set designer and actors, we'll find out how the show developed from 70 pages of War and Peace to the most Tony nominated show of the 2017 season (and all the growing pains in between).